Survival By Storytelling Issue#1

Survival By Storytelling Magazine

The first issue of Survival By Storytelling Magazine abounds with burgeoning talent. Although Kaolin Fire’s fantastic Science Fiction themed cover led to some disappointment due to the absence of a “true blue” Science Fiction story, I feel privileged for having been given a glimpse of what might emerge from the fertile minds of such a diverse group of young writers.

In addition to a nicely balanced collection of short stories, Issue #1 features two non-fiction articles, a film review, an author interview and a selection of wonderful poetry.

“Economies of Scale” by T.M. hunter is an informative article that takes the current state of the publishing industry into account, while encouraging writers to assert the monetary value of their work. This is likely to be a useful read for those who don’t already have their own formed opinions regarding the manner in which they wish to share their writing.

“Six Ideas on Creating Memorable Characters” by Paul Genesse has some great tips for new writers who may be having trouble getting started or a refreshing change of pace for experienced writers, who might simply be in search of an exercise to kick-start their process. The “character interview” seems like an an appealing writing exercise and I just might give it a try the next time I find myself in a creative rut.

Articles aside, there were a number of the fictional pieces that left a lasting impression.

“Chrysalis” by Josh Roberts is extremely well written but a discomfiting read. On one hand, it can be interpreted as a thoughtful perspective on the quiet damage done by bad relationships, in general. On the other hand, I feel it exposes the tendency that women have to allow those undeserving of our devotion to contribute so greatly to the gradual and possibly, irreversible deconstruction of our spirits. For this reason I find it quite jarringly critical yet verging on brilliant.

“Night Planks” by Thea Green had an odd effect on me. The story comes off as a bit scattered and at times, the choice of words seems like something an editor should have questioned. Even so, there is an eloquent quality to certain lines or phrases that speaks more of the writer’s potential than anything else.

“Memoirs of a Torn Page” by Divya Mohan is the seed of a good novel. This type of story isn’t my cup of tea but the quietly poignant and complex story of forbidden love, betrayal and endless yearning would appeal to most readers of modern fiction.

Chris Chapman’s “The Birth of Sweet Fish” was somewhat reminiscent of Seth Mcfarlane’s “Stewie” and Disney’s “Baby Herman.” Sweet Fish’s darkly comedic and satirical critique of the countless foibles and vicissitudes of the human heart, made reading this story a lark.

In “Honor Roll Bound” Emerald Du proves that even someone who hasn’t experienced the stress and competitiveness of an Academic’s lifestyle can appreciate a story in that setting. The anxiety is palpable and I found myself experiencing much sympathy for those who run this particular gauntlet.

“Row7″ by Gregory Wells screams overkill. The plot seems to have gotten left behind in the wake of the protagonist’s wild imaginings. Still, I applaud the writer’s gumption. Not many attempt to push the envelope when it comes to the limits of Suspension of Disbelief. The only creator I know of, to successfully articulate this type of hyper-hysterical fantasy is Satoshi Kon. I think Gregory Wells may be on to something here, so I’m quite curious about his future work.

Noah Blake’s “Me and the Moon, Demilune” is micro-fiction gold. Sharp and stirring– with no waste of words, Blake paints a starkly beautiful yet terrible picture of a soldier’s journey and the cosmic magnificence of survival and death.

Of all of the unexpectedly appealing poetry included in this issue, Natasha Angela Gregorio’s “Frame of Reference” was most captivating. Full of tactile energy, the confident rhythm of this poem made me feel strangely nostalgic–though, I can’t quite put my finger on why.

I’m glad that I read this issue of SBS Magazine. I may not always be able to relate, when it comes to what goes on in the mind of a young and educated writer but the talent and potential displayed in this fledgling magazine’s first issue warrants acknowledgment and encouragement. Survival By Storytelling Magazine is off to a promising start and I expect nothing but positive growth from this publication in the future.

Issue #1 of Survival By Storytelling Magazine is currently available in Print at Amazon.com & CreateSpace. The publication is also available in both Print & Electronic formats from Lulu.com.

  • It's kind of ironic that the _second_ issue is actually going to be themed Steampunk. I do love that cover, though. :hehe:
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  • Thanks for doing the review of this one, Tonya, otherwise I might never have known about them. It's always a delight to see young new talent finding a place and a voice. So who knows, I might put in a subscription for this one, and help out that way. :)
  • I was pleasantly surmised by what I read too Alex. I'm looking forward to reading future issues too -- bodes well for the future of writing, I think.

    By the way - did you see how I managed to sneak that certain "v" word in there? :)
  • Indeed, Tonya, and thank you for the smile! I love slipping weird words of the day into either casual conversation or finding a way to slip them into a story (or two). I also have a signature phrase that I find a way of getting in every full-length story I write. It's a tad more difficult in short or micro fiction. lol

    Glad to see you're picking up the gauntlet and having fun too. :)
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Tonya R. Moore

Tonya Moore Small Fish. Big Universe.
I love to write. I love the flexibility and weight of words and the infinite possibilities and magic that can be wrought by just the right combination of them.

Visit MY HOMEPAGE to Read my Short Stories, Flash Fiction, Poetry and on-going Web-Serials, as well as Browse and Add Listings to the Web Fiction Directory.

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